Friday, 22 January 2021
Percy Mabandu is an art historian and freelance writer based in The city of Tshwane.
The split in the International Pentecostal Holiness Church follows a pattern that has long shaped the flowering of Christian churches in Southern Africa and beyond.
Heading into the 2010 Fifa World Cup quarterfinals, South Africa was a nation clawing at its lost pan-African footing. But BaGhana BaGhana crafted Mzansi’s moment of redemption.
The sweet science was the most watched sport in the country when South Africa took its first steps towards democracy, creating heroes held in high regard both then and now.
Enoch Phiri makes more money working as a gardener for different people each day of the week than he did working full-time for a company, although coming to South Africa was not his first choice.
Migrant workers beat many challenges to reach South Africa and are often vulnerable once in the country, but they risk it to provide a better life for those they’re forced to leave behind.
How two jazz artists, Miriam Makeba with Jol’inkomo and Thembi Mtshali with Yakhal’inkomo, took on the African cattle complex.
The iconic music of Abdullah Ibrahim’s Mannenberg, recorded in 1974, celebrated contemporary South African reality as well as capturing it for all time.
An effervescent jazz dancer, Harry Msimango died in his sleep last winter. He didn’t become famous for his dancing, he simply stepped into the hearts of all who’d ever seen him move.
As politicians shake off the election season trauma of being stranded on the Metrorail, Percy Mabandu considers the train as a force that shaped South African music over the decades.
When his bursary fell through, Tendayi Sithole found a home among train vendors who opened a way for him to save for university. It led to him becoming an associate professor of African politics.